Five ways to boost Australian writers’ earnings

By changing our approach to author rights, we can help writers earn more. shutterstock Rebecca Giblin, Monash University and Joshua Yuvaraj, Monash University Who makes the money in publishing? Nobody. This often repeated dark joke highlights a serious issue. The most recent figures show that Australian authors earn just $12,900 a year from writing work … Continue reading Five ways to boost Australian writers’ earnings

The difference between copyright’s rewards and incentives (and what it means for getting creators paid)

One of the main reasons we grant copyright is an incentive: we want to encourage people to make things, and companies to invest in making them available. But it's not just about incentives (which is why my colleague Kim Weatherall and I told the Productivity Commission that it would be wrong to treat copyright as being purely economic … Continue reading The difference between copyright’s rewards and incentives (and what it means for getting creators paid)

Fat horses & starving sparrows: On bullshit in copyright debates

‘One of the most salient features of our culture is that there is so much bullshit’ – so begins moral philosopher Harry Frankfurt’s treatise on bullshit and its function. Bullshit comes, he argues, from one who ‘does not care whether the things he says describe reality correctly’, but says them regardless, in pursuit of their … Continue reading Fat horses & starving sparrows: On bullshit in copyright debates

British reversion right tested with Frank Sinatra songs

We've written before about 'reversion' laws - which protect authors by helping them recover their copyrights in certain situations. So you might be interested in knowing about a current American court case involving songs sung by Frank Sinatra.  Warner/Chappell, a publishing company, is suing another company, Bourne Co, who gets the royalties from songs written by composer … Continue reading British reversion right tested with Frank Sinatra songs

Everything he does, he does it for us. Why Bryan Adams is on to something important about copyright

Rebecca Giblin, Monash University Last Tuesday Bryan Adams entered the copyright debate. That’s Bryan Adams the singer and songwriter, the composer of “(Everything I Do) I Do It for You”, and “Summer of ’69”. Authors, artists and composers often have little bargaining power, and are often pressured to sign away their rights to their publisher … Continue reading Everything he does, he does it for us. Why Bryan Adams is on to something important about copyright