Everything he does, he does it for us. Why Bryan Adams is on to something important about copyright

Rebecca Giblin, Monash University Last Tuesday Bryan Adams entered the copyright debate. That’s Bryan Adams the singer and songwriter, the composer of “(Everything I Do) I Do It for You”, and “Summer of ’69”. Authors, artists and composers often have little bargaining power, and are often pressured to sign away their rights to their publisher … Continue reading Everything he does, he does it for us. Why Bryan Adams is on to something important about copyright

E-lending in public libraries: implications for authors

When I'm not working on the Author's Interest project, I'm leading a team of data science, communication and law researchers to investigate e-lending in public libraries. Here's some of us, beavering away at data collection last year Libraries have always been able to buy and lend physical books without needing anyone's permission. For e-books it's … Continue reading E-lending in public libraries: implications for authors

Copyright, Contracts and Creators – A Presentation by Professor Ruth Towse

We recently attended a presentation held by the Intellectual Property Research Institute of Australia (IPRIA) at the Melbourne Business School by Professor Ruth Towse of Bournemouth University, who, like the Author’s Interest Project’s Rebecca Giblin, is also a Fellow of CREATe.  Professor Towse is an eminent cultural economist and has written widely about creative labour … Continue reading Copyright, Contracts and Creators – A Presentation by Professor Ruth Towse

New rights for French authors: what’s working and what’s still to get done?

A few weeks ago I visited the Société des gens de lettres (Society of People of Letters), a writers' society founded 180 years ago by Balzac, Hugo, Dumas and Sand. It is one of some eighteen societies with the mission of protecting authors' interests in France. I was particularly interested in finding out what the SDGL … Continue reading New rights for French authors: what’s working and what’s still to get done?

The author made 3p from the sale of this book

My last post pondered the merits of 'fair trade'-style labeling on books: ones that directly told the reading public how much of the sales price went into author pockets. It has interesting potential for alerting readers to unsatisfactory contractual practices - like the 'export sales' rules that can see Australian authors receive just AUD $0.20 … Continue reading The author made 3p from the sale of this book